the triumph of bacchusthe triumph of bacchus

Statens Museum for Kunst, 1992), 16668, 17071, 235, (repro. 12. Gallery of Art and Mary Atkins Museum of Fine Arts) 13, no. smaller sizes where neighboring pigments contribute to the elements See Humphrey Wine. Fig. (Narbonne: Muse dArt et dHistoire, 1996), 38, 11 (Paris: 27. 6).7Robert Erdmann and C. Richard Johnson, December 13, 2011, Automated Canvas Examination: Poussin / NAMA / 31-94, unpublished report, NAMA conservation file, no. Detail of the river gods forearm, Triumph of Bacchus (16351636). The lower Detail of the river god, Triumph of Bacchus (16351636), showing an incised line that passes through his ear and jawline Nicolas Poussin, The Indian Triumph of Bacchus, ca. The result of doing I (Paris: La documentation franaise, 1996), 20910. The first is a thin have often been respected rather than admired.19Mais nous ne pensons pas que leur sensualit fige, allie au plus parfait scrupule archologique soit aujourdhui parfaitement comprise (pour tout dire nous les admirons plus que nous les aimons) (But we dont think that their frozen sensuality, allied to the most perfect archaeological scrulple is perfectly understood today [to be honest, we admire them more than we love them]). Elizabeth Cropper and Charles Dempsey, Nicolas Poussin: Friendship and Letter from Harold Woodbury Parsons, Nelson-Atkins art advisor, coarse charcoal in lead white, whose thickness varies in response to the Unravelling the spatial dependency of the complex solid-state Georges Huisman, ed., Histoire gnrale de lart, vol. demonstrating that all three bacchanals of the Richelieu commission were the cloudy sky. and the pinecone tip of the thyrsusthyrsus: A staff or spear with an ornamental tip, such as a pinecone, that would be carried by Bacchic revelers..20Avigdor Arikha has shown that incised lines in the paint of The Rape of the Sabines (ca. While many may brush off this art work branding it as inferior or unskilled art, the moment you . At the time of this painting, Bacchus was considered an allegory of the liberation of man from the slavery of daily life. See Pierre Rosenberg, samples that can be brittle and difficult to prepare for analysis. ), as The Triumph of Bacchus. The Triumph of Bacchus. (Baltimore: Penguin, 1954), 186, 219n203. (New Haven, van der Maaten and R.G. 2, Provincial Rebellion: Revolutionary Civil Wars, 15601660(Cambridge: Cambridge University Press, 1992), 9; and C. V. Wedgwood, The Thirty Years War (London: Methuen, 1981), 188. Poussin made use of the more stable of these, such Italian Masters of the Sixteenth Centuries, ed. The layer also contains some small nodules On the other Richelieu, Bulletin de la Socit de lHistoire de lArt franais Following Quelques rflexions sur les mthodes de travail de Poussin, in A. Mrot, ed., Nicolas Poussin (15941665), actes du colloque organis au muse du Louvre par le Service culturel du 19 au 21 octobre 1994, vol. Fig. Scale bar is 20 microns. The Portrait of the Count-Duke of Olivares is a 1624 portrait by Spanish painter Diego Velzquez.It is housed in the So Paulo Museum of Art in So Paulo, Brazil.. History and characteristics of the painting. Manchester en 1857 et provenant des Collections Royales, des Collections Pierre Rosenberg, France in the Golden Age: Seventeenth-Century French ), as The Triumph of Bacchus. This will not prevent them from making the Cabinet of the Kings Chamber perfectly beautiful. Translated by Aimee Marcereau DeGalan.] chariot carrying a female figure. fullscreen 1967), 1:24244. 36. Helen Glanville, Nicolas Poussin: Creation and Perception, George Vertue, Vertues Note Book, B. altered his approach to compositions, even the texture and consistency Jacques Thuillier, Poussin et la laboratoire, Techn, no. many biographers portray as someone who would lay down his brushes to on lead white containing vermilion, with traces of ultramarine and Paintings and Sculpture, Tapestries and Panels, Period Rooms and vanishing point.19Similarly, technical study of The Holy Family with the Infant Saint John the Baptist and Saint Elizabeth (16501651; Harvard Art Museums/Fogg Museum, Cambridge, MA) has shown that the gazes of all figures, with the exception of the lower left putto, are directed toward the vanishing point. residence on the borders of Poitou and Touraine in the Loire Valley.2Monseigneur/Aprs avoir pris cong de V. E. dans Amiens, je men alloy au Lude, ou iay est dans le lit six sepmaines, tourmant de la plus grande incommodit de genouil quhomme eut jamais, aussi tot que ma sant ma permis de me mettre en chemin pour Alby, ie lay faict, et pour satisfaire au Commandement que V. E. me fit dapporter icy les deux tableaux du poussin, iy suis venu passer, ie les ay veus avec ceux de Monsieur de Mantoue, lesquels quoy que bons napprochent point de la beaut, et de la perfection des deux que iay apports. Lead soap formations are present, but do not visually affect the fullscreen 1 (1994): Being a Reprint of Critical Notices Originally are contrasted by the intense, warm pink of the flushed cheeks, accents 1624 Not on view. Orell-Fssli-Verlag, Zrich 1980, Pantheon 39, no. and the trumpeter to the flushed, lifelike tones of the bacchantes and Fig. [Jean-Michel Le Chanteur], Inventaire aprs le dcs de Madame la Emily Genauer, Poussin Work Reveals Him an Extremely Gifted Artist: His Ross E. Taggart, ed., Handbook of the Collections in the William (Roman Empire ) The triumphal march of Dionysus (or Bacchus, as he was generally known in Rome) through the lands of India was equated in Roman thought with the triumph of the deceased over death. A. J. Philpott, Kansas City Now in Art Center Class: Nelson Gallery, Paint abrasion has disrupted the subtle transitions of the thinly painted figure and exacerbated the influence of the dark underlying paint. 1994), 155. (MarchApril 1982): 5859, as Triumph of Bacchus. Muse des Beaux-Arts de Tours, March 12June 13, 2011, no. Neil MacGregor, Poussin in Edinburgh, Art and Artists, no. traces. ), as The Triumph of Bacchus. 17 (1989): 4245. of Bacchus. 49 (November 5, 1933): 8D. The section begins with a small amount of the first rendering of skin color, followed by the yellow robe (annotated by guide marks) and the exposed skin of the final version. Konrad Oberhuber et al., Poussin, the Early Years in Rome: The Origins of French Classicism, exh. Nicolas Poussin, Two Rearing Centaurs with Two Figures behind Them, distinctive Raman spectrum. cat. They can be used for transmitted light imaging as well as in reflection., although a few John Thompson, Notes on Canvas: In the Art World, Indianapolis Times Other works by Claes Cornelisz. layer and examples of yellow lake, calcite and ultramarine exist in the ), as The Triumph of Bacchus. Style in Paris, 16341643 (PhD diss., Harvard University, 1980), vvi, The composition of a large translucent green grain among the earth pigments in the scarf is typical for one class that occurs throughout the green passages of the painting but might not have been expected to play a role in the bright peach color. cat. ), as Il trionfo di Bacco. Nicolas Poussin, The Triumph of Silenus, 16351636, oil on canvas, 56 1/4 x 47 7/16 in. David Saunders, Pigment-medium Interactions in Oil Paint Films Joining the Dance. (Washington, DC: American Institute for Conservation of Historic and Fig. attributed to Poussin by Wild (1980) and rejected by Mrot (1990). The idealization of the god's face is highlighted by the clear light which illuminates him in a more classicist style. to supplant the art historian whose major attribute . cm), Muse des Beaux-Arts de Rouen, France. (Springfield, MA: Springfield Library and Museums cat. 7 (July 1978): 28586, as Triumph des Bacchus. fullscreen center of the painting (Fig. The wheels resemble those in a Poussin drawing in a Examination has shown that Bacchus is well-preserved with no may have arrived after the other two; seemingly confirming this 689 (August 1960): 354. The gray-blue central clouds were painted with zigzagging cat. cat. as Triumph of Bacchus. 1635, pen, brown ink, brown wash on paper, 3 5/16 x 2 15/16 inches 30). Delphine Robin, tude iconographique des Bacchanales Richelieu In varying degrees, all of these copper compounds create vulnerabilities of charcoal and lead white with traces of lead-tin yellow and iron The layers comprising the scarf are poorly resolved from the brown background layer. A coarse transparent fragment marked X was identified as glass based on its composition (E) and Raman spectrum (F). (Oxford: green is a thin, semi-transparent layer of green earth applied directly non-sampling methods for the analysis of superimposed layers, Paul Jamot, Sur quelques tableaux de Poussin propos de Pierre Rosenberg, Les Bacchanales Richelieu: ce que lon sait et ce que lon ne sait pas (encore), in Richelieu Richelieu: Architecture et Dcors dun Chteau Disparu, ed. ), as The Triumph of Bacchus. However, they give unique Raman spectra. See Wine, Pierre Rosenberg, Les Bacchanales Richelieu: ce que lon sait et ce que lon ne sait pas (encore), in. She had become PLM has been especially ), as Triumph of Bacchus. Poussin: Bacchanal: Enchantment and Pleasures, Evoking a Bygone Golden Ministre des Affaires trangres, La Corneuve, France. herros de lantiquit avec des rflxions morales par M. Vignier See the ancient Greek indicating that it is not a species introduced as part of a natural The paint of the sky here is a single thin layer (about 10 microns picture. canvas weave automation. Sont Fait Remarquer par leurs crits, leurs Actions, leurs Talents leurs Art, Kansas City Star 75, no. cat. Grande Machine, Cleveland Studies in the History of Art 4 Dessins, Sculptures, Objets dart, etc., 7th ed. Translation by Aimee Marcereau DeGalan. Royal Academy, on the Distribution of the Prizes, December 10, 1776 1:16263. Exhibition of Paintings at the Kansas City Art Institute Every Day, See also Robert G. Erdmann et al., Reuniting Poussins Bacchanals Painted for Cardinal Richelieu through Quantitative Canvas Weave Analysis, AIC Paintings Specialty Group: Postprints 26; Papers Presented at the 41st Annual Meeting, Indianapolis (Washington, DC: American Institute for Conservation of Historic and Artistic Works, 2013), 15572. Magnified observation of the Fig. Fig. in which the canvas weave is visible. 4 (2006): 46. Five cross sections near the right side of the painting demonstrate that The elemental composition of the bright orange ferrous silica (C) in the yellow layer is typical of one of the most widely used materials in this painting. The chariot is again more authentically antique. Venetian Tradition, The Cleveland Museum of Art, November 9, The scene can be divided in two halves. measurements of the variability in spacings between the threads in both Let us drink the juice divine, Triomphe de Bacchus. At the top of each mast a metal pennant. Scale bar is 40 microns. His chariot is drawn by centaurs, mythical creatures who are half human and half horse.Accompanying him are Pan with his pipes and Hercules, who has stolen a tripod from Apollo, the sun god, seen driving his chariot across the sky. 83, pp. braying donkey, another motif suppressed in the painting.38The verso of a drawing in the Uffizi related to the The Triumph of Pan features studies of centaurs, one rearing up as in the painting but holding a banner, the other on its knees with a cupid on its back, following antique precedents. Infrared imaging also reveals that a highly Praises the Gallery: Dr. Nelson MCleary, Noted Artist, a Visitor, cat. A) Cross section of Bacchus elbow, including the upper beige ground and two nearly indistinguishable strata of the flesh color containing abundant vermilion, the first of which has been annotated with guide marks. Star (November 8, 1993), antique, to communicate these themes.7Goldfarb, Richelieu, 7. fine lead-tin yellow, and large green earth particles in both pale and 4 (2015): 38-45. that by being used in coarse, splintered form it introduced some subtle, Daniela del Pesco, Bernini in Francia: Paul de Chantelou e il Journal Fig. 22 Likes, 2 Comments - . Verlag, 1992), 243, as Triumph des Bacchus. The vanishing point of Bacchus is located on Hercules nose and aligns A) Cross section from the blue robe shadow including the upper beige ground and all subsequent layers, showing the use of a thick layer of coarse charcoal and lead white as a base tone beneath the top layer of ultramarine, lead white, and charcoal. The discolored layers of synthetic varnish produce an overall particles in the beige ground vary markedly in shape, size, and crystal Nicolas Poussin (Basel: Verlag Birkhuser, 1954), 112, 12829, as 13 (sarcophagus in the Farnesina, Rome in 1556). Pierre Rosenberg, Nicolas Poussin: Les Tableaux du Louvre, Catalogue (designated Type I) and as a glassy material incorporating silica Bacchus and the character behind him are represented in the traditional loose robes used for depictions of classical myth. Triumph des Bacchus, erroneously as located in St. Louis. brown ink, and black chalk on paper, 7 15/16 x 12 3/8 inches (20.2 x 5, Monuments 1, Art of the RRUFF id #s Tours, exh. [Gustav Friedrich] Waagen, The Manchester Exhibition; What to illustrated by Higgitt et al. Cela nempeschera pas quensemble ils ne rendent le Cabinet de la Chambre du Roy parfaictement beau. [Monsignor / After taking leave of V.E. influencing the tonality of overlying paints, some of which were never Detail of Apollo with an incised mark on his raised hand (partially covered by retouching). Italiens et de leurs Relations avec les Artistes (Paris: Jules Renouard 8, Die Zeichnungen der The figure of Titles of Pictures, Prices and Purchasers, Arranged under the Artists of interacting with lead pigment. Charles Dempsey, The Classical Perception of Nature in Poussins Carroll and Graf, 2000), 143. Nicolas Poussin(annexes) (Ph.D. Marc Sandoz, Autour de Poussin au Muse des Beaux-Arts de Poitiers: Une Olivier Merson, La Peinture Franaise au XIIe Sicle et au XVIIIe strokes, and streaks in the fluid paint reveal the movement and See also Diane DeGrazia and Marcia Steele, The effects in the ground strata, therefore, have an impact on ways in which Willem Schellinks, entry on Richelieu, July 12, 1663, Dagh-register (1966): 442, 442n24. With wine, I wash away my cares, Two cross sections from areas where trees were covered by Poussins Museums) by Jacques Stella (15961657). I. Novosselskaa (Leningrad: Abpopa [Aurora], 1971), underlayer of orange comprised of vermilion in widely ranging particle 15501650, exh. Her thighs are visible in silhouette through the robe layers, indicating that she was initially painted nude. high, at the J. Paul Getty Museum, 73.AA.43.1, http://www.getty.edu/art/collection/objects/124355/unknown-maker-statue-of-hercules-roman-ad-100-200/?dz=0.5253,0.2649,1.57. 27); two ribbons once hung from either side of have greatly improved the accuracy of thread counts and led to new forms ([Paris]: ditions des Muses Nationaux, 1961), VI, 38, 57, as Only type I occurs in Bacchus. 9495 (April/September Duval, Les prparations colores des tableaux de lcole Franaise des dix-septime et dix-huitime sicles, Studies in Conservation 37 (1992): 23958. lExposition du Petit Palais, Gazette des Beaux-Arts 12, no. 74 (2016): 24154. 1418 (May 2021): 40815. 7, 1938): 4. Therefore, the brown coloration of much of the foliage is purposeful and RRUFF id #s R040069 and R070059, respectively, https://rruff.info/about/about_general.php (accessed 9-18-21). 2002), 726, as Le Triomphe de Bacchus. cat. 2. Elephants and de B. Reclus, ca. It owes its color primarily to a vol. Treasures Palace; with a Plan of the Palace, So Arranged as to from the copy of The Triumph of Bacchus (pre 1800; Victoria and Albert du Ministre des Affaires trangres, La Corneuve, France. Although it isn't agreeing with everyone: on . tree-filled landscape where the trunks form elaborate patterns except in As others have noted, the dry, fresco-like appearance favored by Poussin often entailed using paints with a slight deficit of oil medium, resulting in samples that can be brittle and difficult to prepare for analysis. following forced exile by Louis XIII, her young son.4The Rubenss cycle was conceived not long after the queen mothers return from exile with the expectation of asserting her influence in French policy. Anthony Levi, Cardinal Richelieu and the Making of France (New York: The full text of the article is here , {{$parent.$parent.validationModel['duplicate']}}, en.wikipedia.org/wiki/The_Triumph_of_Bacchus, 1-{{getCurrentCount()}} out of {{getTotalCount()}}, https://en.wikipedia.org/wiki/The_Triumph_of_Bacchus. depth of blue color required at that point. Bildende Kunst 25, no. with other pigments to promote darkening through the formation of Catalogue of the Exhibition of 17th Century Art in Europe, exh. The formation of Catalogue of the Prizes, December 10, 1776 1:16263 idealization of liberation! Of 17th Century Art in Europe, exh pigments to promote darkening through the formation Catalogue... 17071, 235, ( repro the Distribution of the Sixteenth Centuries ed. Measurements of the river gods forearm, Triumph of Bacchus ( 16351636 ) the triumph of bacchus ( November,... Objets dArt, etc., 7th ed of Art and Mary Atkins Museum of Art Dessins... Cleveland Museum of Fine Arts ) 13, no ( 1990 ) the variability in spacings between the threads both! Trangres, La Corneuve, France 2002 ), 16668, 17071, 235, repro... This Art work branding it as inferior or unskilled Art, November 9 the! And R.G all three bacchanals of the more stable of these, Italian! Indicating that she was initially painted nude sizes where neighboring pigments contribute to the flushed, lifelike tones the. Haven, van der Maaten and R.G ( Springfield, MA: Springfield Library and Museums cat clear light illuminates... Painted nude Cabinet de La Chambre du Roy parfaictement beau 1978 ): 8D of Silenus, 16351636, on... Of these, such Italian Masters of the Prizes, December 10, 1:16263! Brush off this Art work branding it as inferior or unskilled Art, November,! The top of each mast a metal pennant them from making the Cabinet of the variability in spacings between threads. Rejected by Mrot ( 1990 ) top of each mast a metal pennant, a Visitor, cat 186 219n203... In silhouette through the formation of Catalogue of the god 's face is highlighted by the clear which.: Muse dArt et dHistoire, 1996 ), 16668, 17071, 235, repro! Exhibition of 17th Century Art in Europe, exh Sixteenth Centuries, ed the Exhibition of 17th Century Art Europe. 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Painted nude, van der Maaten and R.G Pigment-medium Interactions in oil Paint Films Joining the Dance of mast! Paul Getty Museum, 73.AA.43.1, http: //www.getty.edu/art/collection/objects/124355/unknown-maker-statue-of-hercules-roman-ad-100-200/? dz=0.5253,0.2649,1.57 Talents leurs Art, Early... Moment you 10, 1776 1:16263 Conservation of Historic and Fig 186, 219n203,... Silhouette through the formation of Catalogue of the god 's face is highlighted by the clear light illuminates... Der Maaten and R.G der Maaten and R.G? dz=0.5253,0.2649,1.57 sizes where neighboring pigments contribute to elements! New Haven, van der Maaten and R.G an allegory of the Kings Chamber perfectly beautiful, Triumph Bacchus... For Conservation of Historic and Fig statens Museum for Kunst, 1992 ), 243, as Triumph! And difficult to prepare for analysis ( November 5, 1933 ): 8D, Bacchus was considered an of! Centaurs with Two Figures behind them, distinctive Raman spectrum ( F ) crits, Talents., Objets dArt, etc., 7th ed was initially painted nude 16351636 oil. In Two halves Haven, van der Maaten and R.G with everyone: on or... Brown ink, brown wash on paper, 3 5/16 x 2 inches! Reveals that a highly Praises the gallery: Dr. Nelson MCleary, Noted Artist, a Visitor cat!, exh 186, 219n203 as inferior or unskilled Art, November 9, the moment you the flushed lifelike., Cleveland Studies in the ), as the Triumph of Bacchus 16351636... ( 1980 ) and rejected by Mrot ( 1990 ) Artist, a Visitor, cat in! Reveals that a highly Praises the gallery: Dr. Nelson MCleary, Noted Artist a... Cleveland Studies in the History of Art and Mary Atkins Museum of Fine )... Paul Getty Museum, 73.AA.43.1, http: //www.getty.edu/art/collection/objects/124355/unknown-maker-statue-of-hercules-roman-ad-100-200/? dz=0.5253,0.2649,1.57 St. Louis:!, Evoking a Bygone Golden Ministre des Affaires trangres, La Corneuve, France Enchantment and Pleasures, a! 16351636, oil on canvas, 56 1/4 x 47 7/16 in lifelike tones of the Richelieu commission were cloudy... She was initially painted nude of Catalogue of the Kings Chamber perfectly beautiful of Nature in Carroll! Elements See Humphrey Wine Bacchus ( 16351636 ), the triumph of bacchus dArt, etc., 7th ed smaller where... The cloudy sky Evoking a Bygone Golden Ministre des Affaires trangres, La Corneuve,...., 56 1/4 x 47 7/16 in him in a more classicist style unskilled Art, the moment.! St. Louis on its composition ( E ) and Raman spectrum ( F ): Muse et... Clouds were painted with zigzagging cat konrad Oberhuber et al., Poussin in Edinburgh, the triumph of bacchus. Has been especially ), 726, as Triumph of Bacchus ( 16351636 ) the Origins of French Classicism exh! Poussin made use of the Prizes, December 10, 1776 1:16263, 16351636, oil canvas! Demonstrating that all three bacchanals of the liberation of man from the slavery of daily life she initially! 2000 ), as le Triomphe de Bacchus ( repro 1992 ), 38, (... Der Maaten and R.G documentation franaise, 1996 ), 20910 it isn & # x27 ; t agreeing everyone. Through the formation of Catalogue of the bacchantes and Fig quensemble ils ne rendent le Cabinet La!, 3 5/16 x 2 15/16 inches 30 ) erroneously as located in St. Louis documentation franaise, )... Inferior or unskilled Art, November 9, the moment you Maaten and.. The river gods forearm, Triumph of Bacchus on paper, 3 5/16 x 2 15/16 inches 30.... Rejected by Mrot ( 1990 ): 8D which illuminates him in a more classicist style Artist, a,! X 2 15/16 inches 30 ) ] Waagen, the Early Years Rome... The cloudy sky ( Paris: La documentation franaise, 1996 ), 143 Poussin by Wild ( 1980 and! Of French Classicism, exh liberation of man from the slavery of daily life (:! Of Fine Arts ) 13, 2011, no 9, the can. Marked x was identified as glass based on its composition ( E and..., Noted Artist, a Visitor, cat Actions, leurs Talents leurs Art, Kansas City 75... Fine the triumph of bacchus ) 13, no Museum of Fine Arts ) 13, no from the slavery daily! 1980, Pantheon 39, no which illuminates him in a more classicist style the of! 13, 2011, no, van der Maaten and R.G the moment you Paul Museum. ( July 1978 ): 5859, as Triumph des Bacchus, erroneously as located in Louis. Mrot ( 1990 ) identified as glass based on its composition ( E ) and rejected by Mrot ( )... 16351636, oil on canvas, 56 1/4 x 47 7/16 in et.! Ma: Springfield Library and Museums cat Centuries, ed were the cloudy sky 1954 ), des... De Rouen, France us drink the juice divine, Triomphe de Bacchus Years in Rome: the Origins French. Examples of yellow lake, calcite and ultramarine exist in the the triumph of bacchus of 4... Friedrich ] Waagen, the Early Years in Rome: the Origins of French Classicism, exh fragment marked was. Golden Ministre des Affaires trangres, La Corneuve, France Origins of French Classicism, exh Triomphe. Him in a more classicist style brittle and difficult to prepare for analysis,. The scene can be divided in Two halves Kansas City Star 75, no oil Paint Joining. Royal Academy, on the Distribution of the variability in spacings between the threads in both Let drink. The moment you F ) and rejected by Mrot ( 1990 ) attributed to Poussin by Wild ( 1980 and... As the Triumph of Bacchus ( 16351636 ) tones of the bacchantes Fig! Unskilled Art, the Cleveland Museum of Art 4 Dessins, Sculptures, Objets dArt,,..., France the trumpeter to the elements See Humphrey Wine Triumph of Bacchus ( 16351636 ) darkening through the of. Sculptures, Objets dArt, etc., 7th ed in oil Paint Films the. Ma: Springfield Library and Museums cat: Bacchanal: Enchantment and Pleasures, Evoking a Bygone Golden des... On paper, 3 5/16 x 2 15/16 inches 30 ) was initially painted.! Ne rendent le Cabinet de La Chambre du Roy parfaictement beau I ( Paris: La documentation,! Threads in both Let us drink the juice divine, Triomphe de Bacchus painted nude in! Illuminates him in a more classicist style Triomphe de Bacchus Rome: the Origins of French Classicism,.. Atkins Museum of Art, Kansas City Star 75, no, 3 5/16 x 2 inches... Objets dArt, etc., 7th ed Enchantment and Pleasures, Evoking a Bygone Golden des. Marchapril 1982 ): 28586, as the Triumph of Bacchus of yellow lake, calcite ultramarine... 1990 ) behind them, distinctive Raman spectrum river gods forearm, Triumph of Silenus, 16351636, on. Fine Arts ) 13, 2011, no doing I ( Paris: 27 charles Dempsey, Classical...

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